danceable rock for weddings

Addicted To Love-Robert Palmer

When Robert Palmer’s video of his mega-hit “Addicted To Love” on MTV in 1985 it caused a major sensation for its obvious sexuality.  But the song, as well as the video, was such an instant hit, and Palmer was already such an established and well respected singer/songwriter that it was taken as mere “tongue in cheek” humor.

The exact same thing can, and should, be said about the video for “Blurred Lines” which is a blatant rip-off of Robert Palmer’s “Addicted To Love.” The only difference between the two videos is that the girls were totally naked in “Blurred Lines.”  The terrific filmmaker Richard Curtis pays tribute to the “pouty girls backing up the singer” genre in his much-loved romantic comedy, Love Actually. 

Almost thirty years later, Robin Thicke and Pharrell Williams were taken to court and ordered to pay damages to the estate of Marvin Gaye because they more or less stole his song “Got To Give It Up.” What I never understood is why Pharrell, who is a brilliant businessman, as well as an incredible songwriter and producer, didn’t just announce that the song was an homage to the great Marvin Gaye, and negotiate a fee, or a portion of the royalties to Marvin Gaye’s family before he released the song.

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But rather than make this a condemnation of the authenticity of “Blurred Lines’“, I want this post to give kudos to “Addicted To Love” as a strong, guitar-driven song that successfully blurred the lines between dance music and rock ‘n roll.

Watch the video, listen to the tune….and let me know what you think.
Doug

 

Don’t Stop Believin’-Journey

 

I have long been convinced that the TV show “Glee” made the song “Don’t Stop Believin'” the most iconic rock song of all time. The original song was recorded by the rock group Journey in 1981, and was a hit, reaching #9 on the Billboard Charts. But it wasn’t until 2009, when the cast of “Glee” sang it in the pilot episode that it was introduced to a whole new generation.

“Glee” was such a global phenomenon (despite having entire orchestras magically appear to accompany their supposed a cappella arrangements) that the original Journey single was re-released in 2009 taking full advantage of the show’s rabid cult following.

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Steve Perry has always had one of the best, and certainly one of the highest, voice in the history of rock. Even the late, great Michael Jackson jumped into his falsetto when singing in Perry’s register, which is why “cover bands” (like mine) have always had to have the female vocalist sing his songs.

“Don’t Stop Believin'” is so universally recognizable that it was playing in the background during the  very last scene of the finale of “The Sopranos.”  I guarantee Journey never thought they were writing a dance song, but when was the last time you were at a wedding and didn’t hear the song that made South Detroit a vacation hotspot?

(Re)check it out!
-Doug

 

 

Taking Care Of Business-BTO

I recently wrote a blog about how “people will invariably dance to songs they can sing along with.” The post was about the pop tune “Shut Up and Dance” by Walk The Moon, and how they repeat the phrase “Shut Up and Dance” 15 times. Bachman Turner Overdrive‘s 1973 Rock hit “Taking Care Of Business” repeats the title phrase 50 times. And that’s with a fade-out…

Here is the actual chorus:
And I’ll be takin’ care of business every day
Takin’ care of business every way
I’ve been takin’ care of business, it’s all mine
Takin’ care of business and working overtime, work out.

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This song definitely meets at least two of my prerequisites for a guaranteed successful (wedding) dance song: 1. An instantly recognizable instrumental guitar hook; 2. And easily acquired “sing-alongability.” It’s really is perfect to add to our Classic Rock repertoire.
Let me know what you think.
-Doug

 

Old Time Rock and Roll-Bob Seger

My only goal at any party is to get the dance floor packed, and keep it packed for as long as possible.

Rule No. 1 People dance to songs to which they can sing along to, or are at least familiar with. Although we haven’t played this song in at least a dozen years, it’s fun to consider it here on a Throwback Thursday.
Rule No. 2 People are much more likely to start dancing to songs whose instrumental introductions are immediately familiar.

Bob Seger’s “Old Time Rock and Roll” became the classic example of just such a recognizable introduction in this scene that made an overnight star of a young Tom Cruise from the movie “Risky Business.”

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Other examples would be the guitar intro to Lynyrd Skynyrd’s “Sweet Home Alabama,” or The Rolling Stones’ “Start Me Up” (or any of a dozen other Stones tunes.) Usher’s 4-note synthesizer intro to “Yeah” is a more contemporary example of song introductions that get people running to the dance floor. Don’t forget about oldies “Shout,” and “Twist ‘n Shout.” I think you get the idea!

Let me know what you think.
Doug

Pride & Joy-Stevie Ray Vaughan

The lyrics to Stevie Ray Vaughan’s rock classic “Pride and Joy” don’t much deeper than “Yeah I love my lady, she’s long and lean…she’s my swet little baby, I’m her little lover boy.” But the no-prisoners guitar and hard-driving lyrics propel this blues anthem into a perennial party favorite.

Well you’ve heard about love givin’ sight to the blind
My baby’s lovin’ cause the sun to shine
She’s my sweet little thang she’s my pride and joy
She’s my sweet little baby I’m her little lover boy

Yeah I love my baby heart and soul
Love like ours won’t never grow old
She’s my sweet little thang she’s my pride and joy
She’s my sweet little baby I’m her little lover boy

 

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We first played “Pride and Joy” with the father of the bride singing lead and playing guitar. Now that was fun. Any time you can make a wedding feel more like a “black tie frat party” you should go for it.

Let me know what you think.
-Doug

 

Sweet Child O’ Mine-Guns N’ Roses

If someone told me I’d be getting people dancing to Guns N’ Roses when I was studying to be a classical pianist, I probably would have been kicked out of school. But I love what I do, and nothing gets people dancing like “Anthem Rock.” 

The key to a great dance song is having an instantly recognizable opening. The classic is the piano intro to “Old Time Rock ‘n Roll” which I wrote an entire blog post about.  That used to be perfect to get people running to the dance floor, until it hit the point of over saturation, landing it in the “Celebration”/”Hot Hot Hot”/”Mony Mony” cheeseball junk heap.

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Check out the instantly guitar opening of this “Sweet Child O’ Mine.” I’ve often written about how people dance to what they can sing along to, even if they don’t know the lyrics. Hearing the opening screaming guitar line makes this rock classic an instant dance hit. And more importantly instantly packs the dance floor.

Let me know what you think.
-Doug