repentant sinner - someone who, having sinned, reaches out to the Saviour This fact forms the key to the entire painting, in which the friends and holy women in the centre panel, patron saint was St. Christopher (whose name means 'Christ-bearer'), it The Descent from the Cross is full of the techniques Louvre, Paris. Paintings, Name: Descent from the Cross (Antwerp) The same conception of the "Descent from the Cross" is repeated in a drawing in the Museum of Fine Arts, Boston. The first two are workmen, standing on ladders to lower Jesus from the cross; they are somehow both reverent and businesslike, one holding a fold of the shroud in his teeth. Descent from the Cross is an oil-on-panel painting of 1600-1602 by the Flemish artist Peter Paul Rubens. It shows the Visitation, and the Presentation of the Temple on either side of the Descent from the Cross. lovingly holds one of the Saviour's feet. It combines the popular story of a devout giant carrying the baby Jesus on his back across a river with a representation that emphasizes humanistic ennoblement. Download this artwork (provided by The Metropolitan Museum of Art). figures and the absence of any background, but the Antwerp masterpiece van Rijn biography. Beside the interpretation of Christ's sacrifice, the Catholic Church during the Counter Reformation also required accurate depictions of biblical events such as the life of the Virgin, the life of Christ, and the stories of the saints that recommended by the Council of Trent. In contrast to Rubens' iteration, Rembrandt allows this piece to be more responsive. Antwerp was a wealthy city, whose [7], The Descent from the Cross, also known as the Deposition of Christ, is a subject in Christian art that is based on several passages in the Bible. Artist: Peter Paul Rubens (1577-1640) This painting clearly shows the influence of Michelangelo, Caravaggio, and Tintoretto, all of whose paintings influenced Rubens a great deal. Tags: Deposition. [5] Mary's role as a co-Redeemer was emphasized, in contrast to Protestants who limited or even denied the importance of honoring Mary. The Descent from the Cross is a painting by Peter Paul Rubens, produced around 1616-1617 for the chapel of the Capuchin convent in Lille.It was seized by France and was part of the founding collection of the Palais des beaux-arts de Lille, where it is still housed. Museum, St Petersburg. Christ Prado, Madrid. The Descent from the Cross The Garden of Love The Judgement of Paris The Lamentation over Christ The Landing of Marie de Mdicis at Marseilles The Last Judgement The Reconciliation of Jacob and Esau The Regent Militant: The Victory at Jlich The Three Crosses The Three Graces The Village Fte The Wedding by Proxy of Marie de Medici to King . Weyden In Rogier van der Weyden the celebrated panel of the Descent from the Cross for the chapel of the Archers' Guild of Louvain. Doria Pamphilj Gallery, Rome. Analysis of Descent from the Cross (Antwerp), Interpretation of Other Baroque Religious It shows the Visitation, and the Presentation of the Temple on either side of the Descent from the Cross. Painted in 1610, The Raising of the Cross was the first important religious commission Rubens received after he returned home from eight years living in Italy, where he studied Roman antiquities and the art of Renaissance, Mannerist and early Baroque painters. In particular, The Descent from the Cross is strongly reminiscent of Caravaggio's Roman period works. After the termination of the Calvinist regime in Antwerp in 1585, the city's churches were gradually decorated once again with works of art. The Descent from the Cross by Peter Paul Rubens - YouTube Descent from the Cross is an oil-on-panel painting of 1600-1602 by the Flemish artist Peter Paul Rubens. In addition, he produced The Deposition Below them, Joseph of Arimathea and Nicodemus support Christ's body from either side while St. John, depicted in a red robe, arches his back with effort as he takes the weight from below. in this painting with that of The Deposition [] Un Christo che togliono di croce, che coppi messer Francesco Marco Leone che viene da Pietro Paolo Fiamingo, et originale nella capella di Santa Croce di sopra in Corte []. The descent from the cross label QS:Lfr,"La Descente de Croix" label QS:Len,"The Descent from the Cross" Object type painting Genre religious art Description Descent from the Cross Depicted people Jesus Nicodemus Joseph of Arimathea John the Apostle please see: Famous Paintings Analyzed 15:43-46), Gospels of Luke (Lk. The subject was one Rubens returned to again and again in his career. Descent from the Cross marks a departure from Ruben's flamboyant, crowded style and explores a restrained presentation of the event of Christ burial. The Descent from the Cross It hung in the chapel until 1794, when it was hidden from the French invaders by the monks. Interpretation * As an Amazon Associate, and partner with Google Adsense and Ezoic, I earn from qualifying purchases. Accession Number . The Descent from the Cross (Rubens, 1617) - Wikipedia which was formerly attributed to his pupil Anthony Greatest Paintings Ever. Descent from the Cross Part of Seven Wonders of Belgium Object type painting seriestriptychaltarpiecepainting Genre religious art Descent from the Cross Depicted people Jesus between 1612 and 1614 date QS:P571,+1612-00-00T00:00:00Z/8,P1319,+1612-00-00T00:00:00Z/9,P1326,+1614-00-00T00:00:00Z/9 In religious art, this particular scene is a familiar theme. But the result is purely Flemish. He also The subject was one Rubens returned to again and the Cathedral of Our Lady and transferred them to the Louvre. After his defeat, they were returned to the cathedral in 1815. from Mars (1629-30, National Gallery, London); and Judgement Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. In addition to the original work for Antwerp, Rubens painted two other versions exploring the same theme. help of a shroud. painting. This triptych is a sublime altarpiece. serpentinata formed by the progress of the twisted Christ are the paintings from its churches. Rembrandt Harmensz. van Rijn: Passion series: The Descent from the Cross Mary Cleophas (Salome) and Mary Magdalene kneel at her side; one of Jesus' feet rests on Mary Magdalene's shoulder, poignantly brushed by her golden hair in an echo of the earlier Biblical scene where she bathes his feet with her hair. The Descent from the Cross illustrates a group of men taking Christ down from the cross after his crucifixion. File : Rubens - The Descent from the Cross, Courtauld P.1947.LF.359.jpg On the ground are seen the superscription and a copper basin where the crown of thorns and the nails of the Crucifixion lie in the congealed blood. It is now in the Hermitage Museum in St Petersburg.[1]. Inside the panel, the central of the triptych depicts the body of Christ being lowered from the cross by a group of men. Do not translate text that appears unreliable or low-quality. Rubens uses a more conventional, idealistic idiom. The Descent from the Cross is the central panel of a triptych painting by the Baroque artist Peter Paul Rubens in 1612-1614. Ruben uses the white shroud that is around Christs body, to make it more complicated. [4], The focal point of the painting is in the center panel, which portrays a group of interlocking figures arranged in an elliptical shape around the lifeless body of Jesus. (roughly 14 x 16 feet), it was colourful, with a clear composition, and Rubens adjusted the commissional work for the duchess Eleonora de Medici in Mantua exactly to the dimensions of the reredos. The historic text describes Marcoleoni's copy and Rubens' original reference as follows: The Descent features two scenes on the sides that are set in distinct architectural environments. and the painting of Federico Barocci Rubens as the creator of the painting is proven archivally since it was copied by the court painter Francesco Marcoleoni in 1611 (after the duchess' death) for the church Santa Maria Assunta in Susano. the most severe and monumental treatment of the event, due to its fewer Some of our partners may process your data as a part of their legitimate business interest without asking for consent. led by Nicolaas Rockox (1560-1640), a close friend of Rubens, commissioned Indeed, a lot of Rembrandt Harmensz. (1571-1610), Peter Paul Rubens was one of the leading figures in Baroque painted two other famous Descents: one in 1617, which now hangs in the Thus it was created on a large scale It was next recorded as being given by Bruges to Josephine Beauharnais's collection at Chteau de Malmaison. Joseph of Arimathea is positioned diagonally across from St. John to assist him. This page was last edited on 18 February 2023, at 22:59. Medium: Boxwood. The Descent from the Cross by Rubens All of the figures are strongly lit, creating a relief-like effect that is accentuated by the dark background. The crowd, elated by the spectacle of torture, has departed from Golgotha as daylight fades. An example of data being processed may be a unique identifier stored in a cookie. of the Virgin (1601-6) by Caravaggio. to Mary Magdalene, who kneels at the Saviour's feet. Details. The full text of the article is here , {{$parent.$parent.validationModel['duplicate']}}, Palais des Beaux-Arts de Lille, Lille, France, en.wikipedia.org/wiki/The_Descent_from_the_Cross_(Rubens,_1617), 1-{{getCurrentCount()}} out of {{getTotalCount()}}, https://en.wikipedia.org/wiki/The_Descent_from_the_Cross_(Rubens,_1617). Rubens' Descent from the Cross in Antwerp is based upon an emotional But in 1585, after Duke Alessandro Farnese The Descent from the Cross is the second of Rubens's great altarpieces for the Antwerp Cathedral. Regarded as one of the 1611 - 1614. {{$parent.$parent.validationModel['duplicate']}}, Portrait of a Man, Possibly an Architect or Geographer, Self-Portrait in a Circle of Friends from Mantua, Aeneas And His Family Departing From Troy, Study for an Equestrian Portrait of the Duke of Lerma, Copy of Battle of Anghiari, the lost painting by Leonardo da Vinci, Allegory on Emperor Charles as Ruler of Vast Realms, Madonna and Child with the Donors Alexandre Goubeau and his wife Anne Antoni. On the ground to the right we The Descent from the Cross - Peter Paul Rubens - WikiArt.org Home / Artists / Baroque / Peter Paul Rubens / The Descent from the Cross Public domain Added: 19 Feb, 2022 by Dahnssmel last edit: 18 May, 2022 by xennex max resolution: 481x900px View all sizes The Descent from the Cross Peter Paul Rubens Style: Baroque Genre: religious painting 27: 57-60), Gospels of Mark (Mk. Descent from the Cross and The Elevation of the Cross from Descent from the Cross, 1616 - 1617 - Peter Paul Rubens - WikiArt.org Peter Paul Rubens | Descent from the Cross. Verso: St. Andrew (1612-14) In its composition and use of light, the triptych recalls Caravaggio's Roman period. The drawing is connected with two paintings of the subject, one now at the Muse des Beaux Arts, Lille from 1617 and the other at the Hermitage in St. Petersburg, generally dated 1617-18. Read my bio here. The Descent from the Cross (Rubens, 1612-1614) - Wikiwand the Southern Netherlands enjoyed a period of stability and prosperity thanks to the peace policies pursued by the Archdukes Albert and Isabella. cart is based on Rubenss Descent from the Cross (161114) in Antwerp cathedral, which Gainsborough copied. in Christian art and theology to a (Lille and St. Petersburg) are equally dramatic and evocative. and Titian. They are both now located in the Cathedral of Our Lady in Antwerp. and devices that he absorbed during his Italian visit. Peter Paul Rubens (1577-1640) moved back to Antwerp The Descent from the Cross by Rubens - Top 8 Facts Let's take a closer look at some of the most interesting facts about The Descent from the Cross, one of Rubens' ultimate masterpieces. critics are of the opinion that the St. Petersburg version offers ability to imagine Biblical scenes as though they were real. dogma such as The Transfiguration of Christ, The Immaculate Attention is drawn three times to the spiritual meaning of the name Christopher in this . in an act of repentance. The Descent from the Cross by Peter Paul Rubens Facts & History Rape of the Daughters of Leucippus (1618); Minerva Protects Pax churches were decorated with unusual splendour: Catholic worship had to be especially glorious in this place where the Protestants head recently held sway. The Virgin, standing at the foot of the sacrificial tree, extends her arms towards her Son; Salome (properly, Mary Cleophas), kneeling, gathers up her robe. Peter Paul Rubens was a Flemish Baroque artist who painted during the Dutch Golden Age. Venetian altarpieces In general, the painting has its origins in the Italian artistic tradition, influenced by the Mannerist style of artists such as Francesco Salviati, Federico Barocci, Jacopino del Conte, Cigoli, and Daniele da Volterra. The Descent from the Cross | artble.com It is believed that Rembrandt produced his iteration of this iconic scene in response to Peter Paul Rubens' painting of the same scene from 1612-14. Rubens revisited this theme numerous times throughout his artistic career, painting several different versions. Corrections? as a spiritual symbol (for the entire human race) who appeals to Jesus The work of art itself is in the public domain for the following reason: In 1611, Antwerp's Guild of Musketeers Background He may have also shown them to his patrons for approval before embarking on the large altarpiece. his most famous work, the Descent from the Cross, in the Orsini Chapel of the church of Trinit dei Monti in Rome. The painting remained somewhat obscure until 2005, when it was discovered by German art historian Justus Mller-Hofstede, a specialist on Rubens' early work. "The Descent from the Cross"Rubens, 1618, Learn how and when to remove this template message, successful earlier work on the subject for Antwerp Cathedral, https://en.wikipedia.org/w/index.php?title=The_Descent_from_the_Cross_(Rubens,_1618)&oldid=1160867823, This page was last edited on 19 June 2023, at 07:44. with exceptional Mannerist statues like Rape By Peter Paul Rubens. Although at first sight the themes presented in the triptych seem extremely wide-ranging, they are actually linked, for St Christopher was the Arquebusiers' patron saint. and Mary and Simeon in the wings are also 'Christ-bearers'. [4] During the Counter-Reformation period, Catholic art required portrayal of the suffering Savior that was more heroic and godly in appearance. and the modelling of forms, but while Caravaggio is noted for the unvarnished Learn more about this artwork. Title: Descent from the Cross; Creator: Peter Paul Rubens; [2], The deposition of the dead Christ from the Cross has been a symbolic theme since the fifteen century. Crucifixion (1526-1612) that so gracefully combines the influence of Raphael, Correggio Rubens painted in the Flemish Baroque style: rich, lush works that emphasise movement, physicality and vibrant colour. (The first triptych of Raising of the Cross was executed in 1611-12.) The Descent from the Cross by Rubens - Top 8 Facts [1] The Descent from the Cross (van der Weyden), The Descent from the Cross (Rubens, 1617), The Descent from the Cross (Rubens, 1618), "PASSERI, RUBENS, AND REYNOLDSA NEGLECTED SOURCE FOR THE ANTWERP "DESCENT FROM THE CROSS", "The United States Conference of Catholic Bishops", "The masterpiece of Peter Paul Rubens, The descent from the cross from the collection of the State Hermitage in St. Petersburg", The Descent from the Cross (16121614, Antwerp) by Peter Paul Rubens, https://en.wikipedia.org/w/index.php?title=The_Descent_from_the_Cross_(Rubens,_16121614)&oldid=1159304098, This page was last edited on 9 June 2023, at 14:12. Rubens started on the commission following Updates? Rubens used them to define the dramatic composition. of Clopas; while the rosy-cheeked, blonde-haired Mary Magdalene This painting, along with The Elevation of the Cross, was taken from Belgium by Napoleon, but they were later returned at the end of the 19th century. principles - banned all religious to the needs of the congregation. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. Please scroll down to read more information about this work. Its widespread fame was ensured by the publication, the celebrated panel of the Descent from the Cross for the chapel of the Archers Guild of Louvain. The Descent from the Cross is the second of Rubens's great altarpieces for the Antwerp Cathedral. On the left side, the setting is a bridge elevated high up, featuring a classical portico. In this deposition there is evident a tendency to reduce the setting of a scene to a shallow, shrinelike enclosure and to orchestrate a rich diversity of emotions. Mary Magdalen and Mary Cleophas kneel at the foot of the cross, while the Virgin Mary is standing upright, her sorrow and anguish expressed in her pale face rather than her posture.[4]. For more Catholic paintings by Baroque I'm the writer and founder of TheHistoryOfArt.org. expressed the melodrama and mystery underlying Catholic dogma, and both Descent from the Cross | religious motif | Britannica Here, a pregnant Virgin Mary encounters her older cousin Elizabeth, who is also pregnant and will become the mother of John Baptist.
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