cat. The marriage was rife with scandal. Die nette uyt-muntende Gerrit Dou, die jaerlicx om dat hy de Ed. (Journal des Voyages de Monsieur de Monconys etc. For discussion of the collection, see ibid., 28295; Eric Jan Sluijter, All striving to adore their houses with costly peeces: Two Case Studies of Paintings in Wealthy Interiors, in Art & Home: Dutch Interiors in the Age of Rembrandt(Exh. Ronni Baer, The Paintings of Gerrit Dou (16131675), (PhD diss., New York University, 1990). Gerrit Jan Peltjes, Leidse Lasten: Twee belastingkohieren uit 1674 (Leiden, 1995), 51. On Dou and the prices his works fetched at auction in the eighteenth century, see Koenraad Jonckheere, When the cabinet from Het Loo was sold: the auction of William IIIs collection of paintings, 26 July 1713,Simiolus30, no. diss., New York University, 1990), no. 1 (1946): 13, as a supplement to Eltjo Aldegondus van Beresteyn, Twee portretten van Franois Spieringh, 1012. 35), a stop was made at the home of Sylvius (at no. van Dissel, eds.,Het Rapenburg: Geschiedenis van een Leidse gracht (Leiden, 1988), 3: 28688. Initially only twenty-eight paintings by Italian masters were bought, but it was later decided to include work by Dutch masters. According to a seventeenth-century manuscript, De Bye came from one of the oldest and highly distinguished families of Leiden; his predecessors have in said city already held the most exalted offices in the magistrate for more than 300 years, garnering great praise and repute, and leading upright and irreproachable lives.68This pedigree finds support in a few early seventeenth-century archival records. These are: [1] In einem verschloenem Zimmer ein Niederlndisches junges sitzendes und Spitzen wirkendes Mgdlein, einer halben Spannen hoch: [2] Ein altes Weib in einem Belz bekleidt sitzend/ und durch die Brillen auf der Nasen in einem Buch lesend: [3] Einen alten Mann in einem langen Bart/ der bey dem Feuer sitzt/ und seine Hnde wrmet; [4] Ein Lautenschlager an einem Tisch sitzend/ der vor ihme Bcher ligen hat/ ungefhr einer Spannen gro. (In a closed room [are] a Dutch boy sitting and a girl making lace, approximately half a span tall; [2] A seated old woman wearing a Belz/ and reading a book through her spectacles; [3] An old man with a long beard/ sitting by the fire/ warming his hands; [4] A lute player sitting at a table/ before him lie books/ approximately one span tall). Still, he was not prepared for what he found when he went to investigate a strange nest that had been spotted outside a hospital in Antwerp, Belgium, in July 2021. The identification is based on the provenance of the painting, which remained in the family until 1808. Discover more about their inventions and think about the big questions of today. Ancient South Arabian correspondence on wooden sticks: On 21 and 22 July 2022, we will be back in Leiden! The Leiden Collection of Dutch Golden Age Paintings For a diplomat of Spierings level, the realms of politics and art were indelibly linked, and his reputation as a connoisseur was key to the development of his diplomatic career. A candle glows. 700 Madison Ave Fl 5, New York, New York, 10065, United States Phone Number (212) 702-9014 Website www.theleidencollection.com Revenue $5.3M Industry Flowers, Gifts & Specialty Stores Retail Leiden Gallery's Social Media Is this data correct? For a survey of Leidenfijnschilders, see Eric Jan Sluijter, Schilders van cleyne, subtile ende curieuse dingen: Leidse fijnschilders in contemporaine bronnen, inLeidse fijnschilders: van Gerrit Dou tot Frans van Mieris de Jonge, 16301770, ed. A series of technical examinations from 1993 onwards confirm the attribution. This may be theSelf-Portrait, ca. Though conceived before the pandemic, the exhibition speaks eloquently to a public emerging from months of solitude. A single strip of anti-bird spikes, typically installed on rooftops and ledges to discourage birds from perching or nesting on buildings. THE HAGUE, Netherlands (AP) One man was killed and two people injured, one seriously, in a stabbing on Friday at a church-run center that houses several aid organizations in the Dutch university city of Leiden, police said. A Young Woman Seated at a Virginal is the last painting by the Sphinx of Delft in a private collection. Collection Hortus Botanicus Leiden Leiden has the oldest botanical garden in the Netherlands, founded in 1590. This is a unique opportunity to admire art from a private collection. Alternatively, Baer suggests that Van Beresteyn sat for Dou in 1647, when he left Delft to study law in Leiden. Une Hollandoise qui fait du passement (A Dutch woman making lace) mentioned in Martin is a picture that Sandrart probably saw at Spierings: ein Niderlndisches junges sitzendes und Spitzen wirkendes Mgdlein (A young Dutch boy sitting and a young woman making lace), Joachim von Sandrart,Joachim von Sandrarts Academie der Bau-, Bild- und Mahlerey-Knste von 1675: Lebem der berhmten Maler, Bildhauer und Baumeister, ed. It must feel really safe sitting in the middle knowing that there are 1,500 metal shards or pins defending you., Although the researchers did not catch the magpies in the act of tearing the strips from the hospital roof, spikes had disappeared from the area near the birds nest, and other birds have been observed ripping such spikes from buildings. Although these amounts are steep, they are no higher than what Dou commanded while he was alive. A candle glows. The Kunsthistorisches Museum in Vienna has two pictures that can be related to transactions in the 1650s. Stay informed on the latest news on health and COVID-19 from the editors at U.S. News & World Report. For instance, in 1635 Le Blon tried to sell him a painting by Johannes Torrentius (15891644), as you desire and delight in uncommon, fine, and detailed things. If Spiering was persuaded to acquire Torrentiuss painting, it would not have been his first purchase of the artists work, for Le Blon stated that he knew of no one who has work by him, except for the King of England and you.34, Spiering owned at least thirteen pictures by Dou, and probably more.35Writing about Dou in 1675, Sandrart recalled that he had seen the best of his labor at the home of the most famous envoy Mr. Spiering in The Hague and elsewhere, and went on to describe four works precisely.36Two of them, An Interior with Young Violinist(fig 6) in Edinburgh and the lost Young Lacemaker, are probably identical to two of the ten pictures that Spiering consigned to Queen Christina of Sweden (162689).37 Among these works was also one in The Leiden Collection, Scholar Interrupted at His Writing (fig 7).38 Although these works were listed as being in Christinas collection, they were probably sent to her only for approval, but were actually owned by Spiering, who had them conveyed to Sweden in one or more shipments. Guasconi wrote about this portrait to Bassetti: Ho ritrovato in Leyden un ritratto fatto di se med.moil Pittor Dou () ma di grandezza dell incluso foglio; egli vestito da camera con una beretta a togliere e una pelliccia attorno, stando appoggiato con un gomito, e nell altra mano tiene la tavoletta dove sono sopra i colori e giuntamente i pinelli.. Sylvius could also have obtained a few of De Byes pictures after the latters death. Some publications mention eleven pictures by Dou, but this is based on an erroneous reading of Christinas inventory. 1676, fol. Dous paintings are listed in only thirteen estate inventories, placing him thirty-second among Leiden painters. This picture also belonged to Spiering and was sent back with the Dous. Leiden, Key to Discoveries | Visit Leiden All of the information on De Bye and his position in the Leiden Remonstrant community is taken from S.P. E.B.F.F. 2. Das frnehmste seiner Arbeit [] de hochberhmtenHerrn Residenten von SpiringinGravenhaagund anderwrts. Joachim von Sandrart,Joachim von Sandrarts Academie der Bau-, Bild- und Mahlerey-Knste von 1675: Lebem der berhmten Maler, Bildhauer und Baumeister,ed. Dou likewise received commendations from his fellow townsmen. This exhibition catalogue highlights Dutch culture through the artwork of its halcyon days. 79 [Schuldbekentenis], 1 May 1666. The painters in Leiden working in this style became known as the Leiden fijnschilders in the nineteenth century.1 Among them was Frans van Mieris the Elder (163581), the only pupil of Dou to equal, if not surpass, his master. Denver, Denver Art Museum; Newark, Newark Museum) (Zwolle, 2001), 10516. Nevertheless, his work remained popular even after his death. Of the 126 paintings attributed to Dou, he painted 42 between 1660 and 1670.57, Dous share in the Dutch Gift enhanced his growing celebrity and definitively established his standing abroad. Take the whole family on a voyage of discovery in nine brand-new exhibition rooms, full of nature's most beautiful things. Dou never lacked for praise, but he received the most from Johan de Bye who, after the death of Spiering, became the artists most important patron. He acquitted himself so well that two years later he was appointed the highest representative of the Swedish crown. If you are looking to reproduce an image in a forthcoming publication, please submit details about the nature of your request in the form below. More about Emily Anthes, Theyre Outsmarting Us: Birds Build Nests From Anti-Bird Spikes, https://www.nytimes.com/2023/07/13/science/magpies-birds-nests.html. The Leiden Collectionis one of the largest and most important private collections of seventeenth-century Dutch art. His high position in service to Sweden guaranteed him access to the leading European courts and thus to a broad potential market of influential art buyers. This school was characterized by a highly precise and extremely detailed manner of painting in a small format. (Hilversum, 2006), 5164. A signal compliment to Dou was paid by the Englishman John Evelyn who, following a visit to the London court, noted in his book that on that day were presented to his Majestie those two rare pieces of Drolerie, or rather a Dutch Kitchin, painted by Douce, so finely as hardly to be at all distinguished from Enamail.55 The king himself had only praise; the pieces that pleased him the most were, along with the Titian, die van Douw en Elshamer (those by Dou and Elsheimer).56 Charles II was so impressed that he even invited Dou to the court, an honor the artist declined. Abraham Bredius, 17e Eeuwsche reisherinneringen. "Gerrit Dou and His Collectors in the Golden Age" (2017). They described their findings this week in a paper published in the journal Deinsea. He could spend days elaborating the tiniest of details, and would work on a single painting for weeks on end. Bakker, Piet. The petition for permission to build their own church, which was submitted various times after 1662, was granted only in 1672. Arthur K. Wheelock, Jr. (Exh. Mr. Hiemstra suspects that there are more spike nests out there waiting to be found. Badeloch Noldus, AnUnvergleichbarer Liebhaber:Peter Spierinck, the art-dealing diplomat,Scandinavian Journal of History31 (2006): 176. His parents, Pieter Fransz de Bye (15951633) and Aeltje Hasius ( before 1639), died when he and his sister Anna were still children. It was assembled by the American philanthropist Thomas Kaplan and his wife, Daphne Recanati Kaplan, and currently consists of some 250 paintings and drawings by Rembrandt and several generations of his pupils. A 87. However, not all of the paintings mentioned are given in the transcript. Nestled near the top of a sugar maple tree was a Eurasian magpie nest that resembled a cyberpunk porcupine, with thin metal rods sticking out in every direction. When visiting it in 1628, Arnout van Buchell (15651641) saw a painting by Rubens. Nonetheless, coinciding with this drain was the dawn of Dous remarkable career. The possibility that De Langue was acquainted with his fellow townsman Pieter Spiering cannot be excluded. By the time the grand duke consented, the merchant had already sold Dous self-portrait to an art dealer in Antwerp, a Mr. 9. 162078) lists een vroutge met lampge van Gerrit Douw (a woman with a lamp by Gerrit Dou).15Loys must have previously owned other work by Dou, because the description of the painting just mentioned does not match up with the work that French envoy Balthasar de Monconys (161165) described in his journal upon visiting the dealer in 1663 as une femme qui tire du vin de Dau (a woman tapping wine by Dou).16Thanks to De Monconyss writings, we know the name of another Rotterdam owner of Dous work. The Leiden Collection - Google Arts & Culture New versions are added only when a substantive change to the narrative occurs. Rembrandt and his Contemporaries. History Paintings from The Leiden Abraham Bredius, 17e Eeuwsche reisherinneringen. The double portrait of Johan Wittert and his wife by Dou and Nicolaes Berchem in the Rijksmuseum, Amsterdam (see Ronni Baer, The Paintings of Gerrit Dou (16131675), [PhD diss., New York University, 1990], no. 777, deed 341, 11 September 1665. In his research on the common coot, a water bird often found in Dutch canals, he had discovered nests containing windshield wipers, sunglasses, plastic carnations, condoms and envelopes used to package cocaine. In this position he also oversaw Michel le Blon (15871658), the famous engraver and art dealer. https://www.theleidencollection.com/archive/ (accessed July 17, 2023). Badeloch Noldus, AnUnvergleichbarer Liebhaber:Peter Spierinck, the art-dealing diplomat,Scandinavian Journal of History31 (2006): 185. 1280, deed 183). Olof Granberg,Svenska konstsamlingarnas historia fran Gustav Vasas tid till vara dagar: (Geschichte der schwedischen Kunstsammlungen 15251925)(Stockholm, 1929), 212, 213, 214. The last dated pictures are from 1672, and not a single painting in the period to his death in 1675 can be dated with certainty. The unduly low appraisal by the second-hand goods dealers is undoubtedly related to the small format of Dous works, as the size of a painting was an important, though by no means the only, factor in determining its value.25. The first author to praise Dou and his exquisite painting style was the Leiden burgomaster Jan Orlers (15701646). Intriguing, unpolished art by people with extraordinary backgrounds. A keg is tapped. cat. https://theleidencollection.com/essays/gerrit-dou-and-his-collectors-in-the-golden-age/ (accessed July 17, 2023). The images available for download on The Leiden Collection website are for research purposes. A page is turned. Aside from his role as an art patron, Spiering was an agent in the service of the Swedish crown in The Hague, a post he held almost continuously from 1634 to his death in 1652. Johan de Bye grew up in this brewery. Some of it causes furrowed brows among we field ornithologists, because you think, Really?. Magpies and crows are both members of the corvid family, a group of birds renowned for their intelligence and problem-solving skills. In 1676, the year of his installation as Grand Duke of Tuscany, Cosimo ordered Guasconi to acquire works by Dou, including a self-portrait. 1073a, deed 66, 6 April 1673, transcribed in Theodoor Herman Lunsingh Scheurleer, Cornelia Willemijk Fock, and A.J. Gemeentearchief Delft, Notarial Archives, Notary J. Spoors, inv. 245-255v, 26 and 27 January & 30 March 1678. The agent found the asking price of 315 guilders too high to simply proceed with the purchase without Cosimos express permission. A. Raven, inv. The Leiden Collection Catalogue. On view are magnificent works by the greatest history painters of the 17th century, such as , his teacher , his students and , and their contemporaries. File:Young Woman Seated at a Virginal, Johannes Vermeer - Wikimedia There is nothing to indicate that Spierings death was problematic for Dou. 'They're Outsmarting Us': Birds Build Nests From Anti-Bird Spikes Orlerss and Angels publications suggest that around 1640, Dou was the most successful painter in Leiden. See Eric Jan Sluijter,Leidse fijnschilders: van Gerrit Dou tot Frans van Mieris de Jonge 16301760(Zwolle, 1988), 3637. Leiden Gallery - Overview, News & Competitors | ZoomInfo.com The agreement between Spiering and Dou thus extended beyond assuring Spiering access to the artists best work. July 14, 2023, at 7:36 a.m. Stabbing at a Church-Run Aid Center in the Dutch City of Leiden Leaves 1 Man Dead, 2 People Wounded. Such as Johan van Overbeke (161680), owner of a Konstcabinet (art cabinet), to whom Angel dedicated his treatise. His father, Mathijs van Overbeeke, who died in 1638, also owned a splendid art collection. Collector Thomas Kaplan on sending Rembrandts to Saudi Arabia 89; Theodoor Herman Lunsingh Scheurleer, Cornelia Willemijk Fock, and A.J. Another art lover with an above-average number of pictures by Douno fewer than elevenalso lived in Leiden, namely the famous professor Franciscus de le Bo Sylvius. Whatever else Pieter Spiering owned can only be approximated, for no catalogue of his collection has been preserved. "The Antwerp nest is really . Should this description be correct, it would mean that in 1652 not all of the Dous had been returned; that of Le Blon, in fact, remained in Stockholm. Regionaal Archief Leiden, Notarial Archive, Notary A. Raven, inv. It is unclear when exactly zyn grooten Mecenas (his great Maecenas) appeared on the stage, but considering De Byes age, it was probably not before 1652.66He bought Dous work regularly, and no one owned more paintings by the artist than did De Bye; in 1665 he owned twenty-seven, perhaps even twenty-nine paintings. A soap bubble floats upward. A total of 258 inventories have been consulted. The unrest persisted, and in the summer of 1665, by the order of the court, the pulpit and other church furniture in De Byes home were dismantled. Esmond Samuel de Beer, ed.,Diary of John Evelyn. The starting date would have to be after 1634, when Spiering returned to the Dutch Republic; the final date would be 1652 when Spiering died while on a mission in London. Most of the prices of Dous paintings cited in seventeenth-century archival documents, however, are lower. If Sandrart indeed saw Dous An Interior with Young Violinist (fig 6) while visiting Spiering, their contact existed by 1637, the date of the painting. Self-Portrait, signed and dated 1658 (Uffizi Gallery, Florence); Ronni Baer, The Paintings of Gerrit Dou (16131675), (Ph.D. etc. I couldnt believe my eyes, he recalled. Thomas Kaplan and The Leiden Collection - Selections Arts Magazine It is thus quite possible that when De Byes possessions were being brought to the house of his young cousin Maria Knotter on the Rapenburg (no. Over the two years that followed, Mr. Hiemstra and his colleagues discovered several other nests, built by Eurasian magpies and carrion crows, that contained anti-bird spikes. The Hortus has many collections of unique and threatened plant species, the largest of which is its collection of tropical orchids. Although no business agreement between De Bye and Dou has been preserved, there is one involving De Bye and another artist, the Leiden watchmaker Willem Meester.73In May 1664 the two entered into an acte van compagnie (deed of partnership). Admire the history paintings and discover for yourself why they were considered the noblest, most prestigious form of painting. As for the use of the anti-bird spikes, Dr. Mainwaring was curious to see if the behavior spreads, if other magpies see their neighbors using these spikes in nests and think, Thats how you build a nest, he said. And sharp, human materials, including barbed wire and knitting needles, have previously been found in magpie domes, the scientists noted. Arnold Houbraken,De groote schouburgh der Nederlantsche konstschilders en schilderessen(The Hague, 1753), 3: 4. All the more so when the works return, for one time only, to the place where they were conceived and created four centuries ago. 604, fol. See Table 2 in the essay Leiden Fijnschilders and the Local Art Market in the Golden Age in this catalogue. Perdijk, De opkomst der Remonstrantsch-Gereformeerde Gemeente te Leiden, 23 August 1618 tot 7 Augustus 1679,Leidsch Jaarboekje12 (1915): passim. 3, p. 2. (Although the circa 1663-1666 The Concert, which was stolen from Boston's Isabella Stewart. Washington, National Gallery of Art; London, Dulwich Picture Gallery, The Hague; Royal Cabinet of Paintings, Mauritshuis) (New Haven, 2000), 1224. Stadsarchief Amsterdam, Desolate Boedelskamer, inv. By clicking submit, you are agreeing to our Terms and Conditions & Privacy Policy. The couple had to elope because Magdalena was only thirteen years old (see Eltjo Aldegondus van Beresteyn,Genealogie van het geslacht van Beresteyn [The Hague, 1941] 1: 263). (That must be such a happy magpie coming home to the nest with this big knitting needle in its beak, Mr. Hiemstra mused.). The Leiden Collection Catalogue, 2nd ed. Rows of these sharp metal pins have become a common feature of the urban environment, installed on rooftops and ledges to discourage birds from perching or nesting on buildings. See Gemeentearchief Delft, ONA 2061, fol. Research suggests that the chemicals in cigarette butts can help protect nests from parasites but also can be toxic to birds. Regionaal Archief Leiden, Notarial Archives, Notary D.J. Het Rijksmuseum van Oudheden(National Museum of Antiquities) is a unique museum. Olai Borrichii,Olai Borrichii Itinerarium 16601665: The Journal of the Danish Polyhistor Ole Borch (Copenhagen, 1983), 2: 135. See Adolf Berger, Inventar und Kunstsammlung des Erzhertogs Leopold Wilhelm von stereich,in Jahrbuch der Kunsthistorischen Sammlungen des Allerhchsten Kaiserhauses (1883), 79177. Dat hij, Meester, geen werck en sal vermogen aen te nemen als mit voorgaende communicatie ende expresse bewillegingh van de heer Johan de Bije voornomt [] ter handen [sal] stellen de gerechte helft van alle de winsten, die ic in eeniger manieren van mijn const off hantwerck ( ) sal comen te ontfangen ofte te genieten. Daniel J. Roorda, Het leven van Willem Meester,Spiegel Historiael16 (1981): 61423, reprinted in Daniel J. Roorda,Rond prins en patriciaat(Weesp, 1984). Celebrating 60 Years of Fruitful Engagement between - InvestorsObserver Which researchers are behind this and how much impact do their discoveries have on our lives today? cat. Heer Spierings de eerste aanbiedinghe van sijn stucken doet, 500 Carolus guldens tot vergeldinghe krijcht. Philips Angel, Lof der Schilderkunst (Leiden, 1642), 56. This website uses cookies (Functional, Analytical, Marketing) that are required for the website to perform as good as possible. The Leiden Collection thus became the world's singular lender of Dutch Golden Age paintings; its works have been exhibited at the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, DC, the Rijksmuseum in Amsterdam, as well as scores of other museums across the globe. De Bye was a devout Remonstrant who was highly regarded by his Leiden fellow believers. For instance, Johans great uncle, Jan Pieters de Bye, served several times as burgomaster, and his brother as alderman. The long-term consequences are unknown. When Pieter Teding van Berkhout (16431713), later the burgomaster of Delft, stayed with relatives in Leiden in December 1669, he called on the famous painter Dou, who showed us three or four beautiful examples of art by his hand.64 Given Dous fame, it is striking that Simon van Leeuwen (162582), in his 1672 city chronicle, limits himself to expressing his great admiration for the art of the outstanding painter of fine detail and appreciates the fact that Dou does not withhold [his talent] from any of his apprentices who show promise. Van Leeuwen devotes not a single word to royal and other owners of Dous work, to whom the artist largely owed his great renown.65. For an enumeration of the paintings, see Wilhelm Martin, Het leven en de werken van Gerrit Dou beschouwd in verband met het schildersleven van zijn tijd (PhD diss., Universiteit Leiden, 1901),45. Derived from the Leiden baptism, marriage, and marriage certificates register. Alle de kunst by syn vader naergelaten, soo van teyckeningen als printen [] de printen van Aelborduyer, houte copere snyder, de printen van Lucas van Leyden, noch veele printen ende printboucken, als oock teeckeningen van veele oude en moderne kunst en plaetsnyders. Gerardina Tjaberta van Ysselsteyn,Geschiedenis der tapijtweverijen in de noordelijke Nederlanden : bijdrage tot de geschiedenis der kunstnijverheid (Leiden, 1936), 2: 29596 (doc. In theory, their agreement could therefore have lasted from 1634 to 1652. A fascinating case study in this respect is the estate of Jan Rouyer. The kaarslicht (candlelight) picture was listed in an extensive inventory of the collection of 1659. It shows just how intuitive these birds are, and it shows a certain amount of flexibility to go out and find these new materials and use them.. Wikidata:WikiProject sum of all paintings/Collection/Leiden Collection Metadata This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. For Borchs portrait from 1661 in Frederiksborg, Denmark, see Jacob van Toorenvliets biography in this catalogue. Dou charged a steep hourly fee, which means that his paintings were so expensive that they were only within reach of an extremely wealthyand therefore small and exclusivecircle of buyers. Archive - The Leiden Collection Further details were not immediately available. New York, 2020-. https://theleidencollection.com/essays/gerrit-dou-and-his-collectors-in-the-golden-age/ (accessed July 16, 2023). That way you won't miss anything of all the beauty that can be found in Leiden. In exchange De Bye stipulated: that he, Meester, will not accept any work without previous communication with and the express consent of Mister Johan de Bye, and furthermore that weekly he will give [to De Bye] the legal half of all the profit that I in any way come to receive or enjoy from my art of handiwork.74Whether De Bye profited from his investment is doubtful.
